Its been a good first semester

Just today, tomorrow, then I will be done with my first semester of TAD. I have to say I learned a lot, have had good classmates, and wonderful teachers to push me. I can't wait for the next semester to start so that I can learn even more. Luckily though with this break, it provides lots of opportunity to jam in what I learned in school (especially the areas I had lots of trouble with).

So figure drawing is done. I still have lots that can be improved on. I'm still unsure if its the material or way of thinking. Quite a few had similar problems where its hard to change what you made when using nu pastel. I know that better materials don't make better art. So what I might want to do is start looking more and putting down less. 

The other thing I need to start working on is a focal point. I'm doing the whole study thing correctly but my drawings could be so much stronger if they looked interesting. 

20-25 minutes

Another 25 minute one.

2 minutes each.

Linear perspective class was definitely the one that taught me alot of rules I did not know. This final definitely came out better than any drawing of a room from imagination that I've done in my life. I put in some good time with this one like all classes. But after looking at it for a long time, I just see a lot of the flaws. So I decided to finish and just move on to the next thing.

Rough final. I like the lines

My attempt at cleaning this drawing up. I don't know

if it completely works.

Came in bronze

I'm a little late on my postings, it has been a pretty rough week in terms of work. I've been falling behind by just one step so its hard to just regain my footing. Some of my stuff like my sketchbook assignment and last week figure drawing still need to be scanned/photographed. Tomorrow I'll upload more figure drawings.

Anatomy from last week was just to do better form skeletons. I feel like over this class I have gotten a lot better. Its now easy to pay attention to which side the form is on. The difficult part was trying to rotate the figure. 

The rest of the linear perspective class is devoted to the final project with a few random lessons here and there. I still don't know how I'm going to show my studio, but these were my first iterations. I'll do lots more later..

Studio room from different angles.

Box flaps.

A new long study that took about 80 minutes in nupastel. I did one before but there were just too many errors at about 2 hours. What I did differently was spend the first 35 minutes with just proportions. This allowed for lots of minimal problems later on. The MAJOR thing though that dragged this down was the high contrast I gave the model. One reason was because I didn't pay attention to the overall figures light/shadow relation. If thats not worse? I used ivory white thinking it was a light yellow for the highlights. This blasted them to a greater degree. On the brighter side? Because I did not have to think about proportions, I could look at the details and render to a better degree.

Dubbed the bronze statue. 

Lots of work ahead

I feel like the moral of this whole blog post is if its bad then draw it again. I just need to keep pushing myself in the general direction that is set forth.

Linear perspective has been pretty tough as of late. While I am getting better at ellipses, for some reason I don't quite grasp gridding a sphere. I'm definitely going to have to rewatch the videos from class. Which is really nice because TAD is an online school that records all its sessions. This is very good when they pour tons of stuff in such a short amount of time.

Photography was an interesting assignment where I had to play with shadow. I really did not want to just use the silhouettes I was given. Instead, I played with crumpling paper and boxes to get unique shapes that I normally would not get. This was definitely a lot of fun to play with but frustrating when I can't control them all that much. So, what I get is what I get.

Heh, I did the sketchbook assignment wrong but I'll still post this anyways. Luckily, we went over the rest of the creature designs in last class. I will actually redo my creatures this week with a different process. Unlike the last time, I will focus very hard on the initial stages instead of the later ones. I get too caught up in details and then afterwords I don't want to get rid of it. I'll try to show my process. But for now, here is a teapot and cup. I did about 18 thumbs to get composition I wanted. (This is something I will also redo this weekend, all I needed was one object and I probably should render it better)

After working from strutturo uomo, I can tell my anatomy forms are getting just a slight bit better. They still have a way to go, but they show me reaching one level higher. In the beginning, I was struggling with certain things which now make lots of sense. 

Getting better the more I try

Sketchbook assignment was pretty cool since I tried using markers. Its a whole lot easier to control my values then to play half the time with the pencil. I might try ink washes next or colored pencil. I don't know if its me or the graphite pencil, but it was hard to work with.

Some of the good things that came out of this is how i arrange within the picture plane. I must start putting boxes over my stuff because it really shows how this would read as a bigger piece. The bad was not experimenting enough with putting the still life objects in different angle and ALL THE TANGENTS that just were not obvious when I was doing it.

Quick thumbs: tripod, ps1 controller, candle holder

Linear perspective and its ellipses. They are making a bit more sense but still its hard. I barely EVER do this kind of stuff. It just shows  how much I must work in this class. I did get the book Creative Perspective which has nice examples that work with the class. I will try to do stuff from that book as well. So not much to say for now, maybe later though i'll be drawing some awesome stuff.

Figure drawing was all about long drawings. It feel like I was able to get the general idea of the drawing in about 25 to 35 minutes minus a few proportion details. While the later time was all about pushing and pulling the form. I enjoyed these a lot. You can see because I only needed one.

I need to work on pushing the figure from the background and not let the model blend in. It would create a more striking silhouette versus a muddy mess. I also need to clarify detail in the focal and blur out the detail in the non focal.

However, I am happy to see my improvement most of all. I'm having a lot more fun doing stuff I want to and less time fighting over certain aspects like the medium or proportions.

2 hours

1 hour

30 minute

4 hours

Forms broken down and drawing with light

The best way to understand complexity is to break it down into simple shapes. However, it can be really hard to see the lines that really show the true form. I have some problems when it comes to that. But the more i practice with it, the better I am getting. Soon, I should try lighting some of these figures.

10 minute pencil, understanding form with wires and blocks

This was an optional assignment for photography that I really wanted to do.  They are long exposures using the night time photography mode on my camera. There is no light except the little flashlight that I took a part. By shining it on and off, I was able to get an interesting effect.

shinku...Hadouken

A blaze of light made by a small light.

And made by a shutter speed of 15 or 30 seconds.

I have gotten a lot better with cubes. Why all this for just a simple shape? Because many if not all things can just be broken down into this shape. It's also helping my see perspective. However, I still have a way to go. The more I do, the better I can see my early mistakes.

I will never see the end of cubes, never. 

Proportions outside and in

Figure drawing for the past has been getting harder and I do not want to fall behind in class. My previous assignments were much larger than expected. They did not look bad unless you put the image next to them. I think it was the distortion I got from drawing with the laptop next to my easel. This time though I printed out the images and paid special attention to it. They definitely came out better. 

Personal 25 min pastel, tried to keep proportions in check. Hands and

feet still give me trouble with this medium.

25 minute pastel.

Overlap studies, these were pretty tough.

More overlap, had fun with color experimentation.

18 minute, I'm getting better little at a time.

18 minute, Seated poses are less trouble. Still hard though.

Sketchbook class has been making me sketch outside a lot more than I ever have. Its really nice though when its on clear days, not so good on windy cold days. I did learn one thing and that was to clip my pages together so they don't fly everywhere. I should probably use that same principle when photographing my figure drawing.

Sketch, buildings seen outside at a park.

Linear perspective is still something I struggle with the most I think. I feel like if there is one thing I should focus on this week its that. Mainly because it affects things like my sketchbook class and anatomy class.

Cube contraption.

I'm starting to like these pastels

Recently, Mark English was in my Figure Drawing class critiquing our work. Sadly, I had a bunch of poor ones to show for. I wish he got to see these instead. haha, oh well~ However, he did like my master copy that I did from his work. One big issue was the contrast. I'll need to find that good palette some day. While another that everyone had was barely any of us used a cool color for the reflective light. I tried to experiment with that this time. I might have to look at the Mark English video again (oh for those who don't know, TAD students got to see the videos of Mark doing the image that we would copy later) It was very insightful and I think it opened my mind a little to this.

25 Min, Nu-Pastel

25 Min, Nu-Pastel

25 Min, Nu-Pastel

2 minute drawings, I learned going slower can achieve better results.

In linear perspective, we are learning about the distortion of a camera lens. It turns out the closer you get the wider angle you will achieve. However if you go far away (i went like 15 feet or more from the image below) and zoom in, you will see the objects vanishing points stretch. This is mainly due because the one on the right was zoomed in and cropped from a larger image while the one on the right is next to my face. 

This is no trickery my friend, BOTH are real. No photoshop used.

Image of my neighborhood, I like the colors.

Week 4

10 minute with a focus on bg shape.

A warrior going down a hallway or something.

Can opener from my sketchbook. I'm trying to understand it.

Hey look more cubes!

Cubes make the world go round

Things are going smoothly in class. It feels like I need to be doing double the work to get the results I want. For this last figure drawing assignment, I did it twice (aka 20 drawings instead of 10). It took longer but I found that the ones I liked were in the second batch. 

My ability to use charKole is improving. 5 minutes

Having fun with shape, still need to worry about that light. 15 minutes.

Cubes, that has been the focus for linear perspective this week and probably for the rest of these classes.  I have been drawing these from life and they have been a lot harder to get perfect than I thought.

Cubes, cubes,  and more cubes.

How do you get better at cubes? By drawing more cubes.

I have needed to take some pictures outside of all the drawing I am doing. These were interesting because I had to pay attention to where the light is falling. The different types of light/shadow can evoke a different mood or feeling.

Short loop lighting using my phone cam. I was also holding the light at the same time.

Rembrandt lighting with a point and shoot, this time I had a tripod.